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Aurora Kir\u00e1ly chooses for her projects a unique frequency of communication with the world. Language as art alternates with the homogenous rhetoric of the modern information system and inbetween these plans there is a subtle transfer of substance. The domestic intimacy of writing, the formal elegance of photography and a special light always tell a good story. Layers of emotion and consultancy reiterate real life.<\/p>\n
From the long history of abstract avant-garde, Aurora Kir\u00e1ly takes and inevitably connects art with knowledge. The lines organising her work are austere, yet serene. The conceptual dimension is associated with history, hope, trauma, memory, human relationships, the thoughts of a child, the garden, the last snow\u2026 A profound sense follows the infusions of language and real-life and accepts the experimental code for various daily necessities. Throughout the years, the activity of Aurora Kir\u00e1ly has surveyed the field of contemporary art from various perspectives. During the 1990s and the 2000s, her projects explored the capacity of photography to record the quotidian, by combining autoreferential fragments with documentary aspects of day-to-day life. Her black and white photographs as well as the ones in colour are focused on details that are usually overlooked, \u201cembedding\u201d personal moments, for wanting to preserve these fragments, to understand them and to reflect on her existence. Since 2007 she has taught at the Department of Photography and Dynamic Image, at the Bucharest National University of Arts, an experience that has made her reevaluate her artistic activity and to return with new, mature and profound projects. Her most recent works question the sources that an artist may explore for choosing a subject and the modality through which the said artist approaches context \/ recent history \/ art history. The influence of international tendencies and of the art market on art production, the works and the practices of artists who \u201clisten to\u201d and acknowledge their own \u201cvoice\u201d represent a few of the issues of interest for Aurora Kir\u00e1ly at the momen<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”|||20px|false|false” custom_padding_tablet=”|||0px|false|false” custom_padding_phone=”” custom_padding_last_edited=”on|tablet” border_width_left=”1px” border_width_left_tablet=”0px” border_width_left_phone=”” border_width_left_last_edited=”on|tablet” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_text_color=”#333″ header_font=”|||on|||||” header_font_size=”50px” global_colors_info=”{}”]<\/p>\n
Moulhouse Resindecy<\/p>\n
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[\/et_pb_text][et_pb_image src=”https:\/\/www.afarnetwork.com\/wp-content\/uploads\/2024\/09\/Captura-de-ecran-2024-09-13-151857.png” alt=”Adelina Ivan” title_text=”anetta-mona-chisa-scaled” module_class=”artist-picture” _builder_version=”4.21.0″ _module_preset=”default” width=”100%” max_width=”100%” global_colors_info=”{}”][\/et_pb_image][et_pb_code _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n